Video & Sound Production | Project 2
5 May 2025 - 2 June 2025 (Week 3-7)
Justin
Cleon
(0375523)
Video & Sound Production | Project 2
Table
of
Contects
1.
Instructions
2. Lectures
Lecture
3 (Week
3) :
Storyboard
Figure 2.1 Storyboard
Storyboard
Storyboard
is a
visual
representation
of a
film
sequence
and
breaks
down
the
action
into
individual
panels.
It is
similar
to a
trial
run
for
finished
film,
video,
or
commercial,
displayed
in a
comic
book
like
form.
What
Is a
Storyboard?
• Drawing,
sketches,
reference
images or
photographs
to represent
each frame
• A
description
of the shot
(any
relevant
information
on the
action,
dialogue, or
composition)
• Shot specs
(shot size,
lens length,
two (2)
shot, etc)
• Arrow to
indicate
camera
and/or
character
movement or
how each
shot
connects to
the next
There
Are
Two
(2)
Basic
Versions
of
Storyboard
Format:
•
Traditional
Storyboard
Sketches
with
basics
included
detailed
information,
such as
arrows for
camera
movement,
characters,
props,
etc.
Figure
2.2 Traditional
Storyboard
•
Thumbnail
Storyboard
Storyboard
that
doesn't
have any
writing.
It is not
used as
often as
detailed
ones. If
it's just
you or a
small
team,
writing
might not
be
necessary.
Figure
2.3 Thumbnail
Storyboard
How
to
create
a
film
storyboard?
•
Identify
key
scenes
in the
script
When
developing
a
storyboard,
it is
essential
to know
what
story
will
come
out.
Mark up
the key
parts of
the
story by
highlighting
major
beats,
such as
actions,
locations,
wardrobe,
staging,
narrative
arches,
and
major
plot
points.
• Map
out
the
key
scenes
Map out
the
scenes
you
identified
in the
script.
Assign a
number
to each
one and
a
relevant
title
make it
easy to
link
them
back to
the
broader
story in
the
script.
• Add
images
or
sketches
Start
visualizing
each
scene.
This
part of
the
process
to as
idea
landscaping
where a
place to
brainstorm
the
visual
features
of each
beat
within
the
landscape
of a
story.
•
Describes
what
happens
in
each
frame
While
each
frame is
a static
image,
which
tries to
communicate
how it
will
look and
feel as
a moving
sequence
which
describes
the
style,
mood,
and
behavior
of
characters.
There
consider
some of
the
following:
1.
Composition
&
Framing
Decide
how
characters
and
objects
will
be
framed
within
each
shot.
2.
Transitions
Plan
how
each
shot
transitions
to
the
next.
3.
Character
Blocking
Determine
character
positions
and
movements
within
each
shot.
4.
Emotion
&
Expression
Define
a
character's
facial
expressions
and
body
language.
5.
Annotations
Use
additional
notes or
captions
for
things
that
can't be
easily
conveyed
in the
visuals.
6.
Dynamic
Action
For
action
scenes,
break
down
fast-paced
movements
into
a
sequence
of
panels
to
ensure
clarity.
•
Share
it
with
your
team
Let's
invite
the team
to
review
the
storyboard
and
share
feedback.
This is
a
perfect
moment
to see
how
others
interpret
vision
for the
story.
•
Finally,
reference
it on
the
day
Historically,
print
out
storyboards
to refer
to on
the day.
Currently,
online
storyboards
can be
accessed
on the
phone or
laptop.
This way
ease as
prepare
for each
scene.
Lecture
4
(Week
4)
:
Production
Figure
2.4 Stages
of
Film
Production
Production
Production
is
sometimes
used
to
refer
to
the
entire
process
of
making
a
film's
inception,
creation,
and
release.
Filmmaking
Distinct
Stages:
•
Development
(Financing)
This
is
where
it
all
begins
to
make
the
idea
into
a
movie.
A
producer/screenwriter
has
an
idea.
Development
is
commonly
managed
by
producers,
creatives,
financing,
the
general
schedule,
and
so
on.
1.
The
package
A
big
part
of
a
producer’s
job
is
putting
together
a
package,
such
as
a
screenplay,
a piece
of
intellectual
property,
a
director,
or
some
actors.
2.
The
finance
When
you
want
to
make
a
movie,
you
need
to
spend
money.
It's
an
unfortunate
fact of
life. Upon securing
funding,
the
job
of
the
producer
in
the
development
stage.
There
are
two
(2)
ways
film
is
financed:
• Studio
Studio
can
get
money
from
pre-sales.
Which
refers
to
selling
a
film
before
it
is made
to
local
distributors,
relying
on
slate
financing,
and
taking
out
loans
through
things
(negative
pickups,
gap
financing,
and
bridge
financing).
•
Indipendent
Financing
is
from
networking
at
festivals,
crowdfunding,
grants,
tax
incentives,
private
equity
investments,
or
even
the
filmmaker's
own
pocket.
•
Pre-production
Pre-production
refers
to
all
the
preparation
necessary
before
filming
begins.
There
are
three
(3)
things
that
happen
during
these
stages:
•
Budgeting
A
producer
has
outlined
the
general
costs
of
a
film
during
the
development phase, looking
at
where
money
will
go
during
and
after
the
shoot.
•
Getting
the
Team
Together
A
movie
is
not
made
by
one
(1)
person,
it
is
made
by
hundreds
of
people.
In pre-production,
a
producer
hires
these
people
and
the
crew
will
hire
head
of
departments
professionals
(cinematographer,
production
designer,
costume
designer,
etc).
These
heads
will
help
fill
out
respective
departments
with
people
trusted
and
feel will
need.
Some
lead
actors
may
already
be
attached
to
the
project
in
the
development
stage,
the
rest
of
the
cast
has
to
be
filled
out.
This
is
where
a
casting
director
comes
into
play.
•
Pre-visualizing
A
director
will
start
planning
out
what
a
movie
or
film
looks
like.
This
means making
a storyboard
or
writing
out
a
short
list,
consulting
with
the
production
designer
about
what
the
sets
look
like,
and
meeting
with
the
costume
designer
about
the
costumes.
•
Production
When
most
people
describe
the
making
of
a
movie
or
film
and
what
happens
during
the
production.
This
is
when
the
cameras
roll
and
the
footage
is
captured.
There
are
some
moving
elements
within
the
production
stage:
•
The
Call
Sheet
Question
about
who
shows
up
when?
Where?
All
these
answers
and
more
can be
found
in
the
call
sheet,
a
document
sent
out
by
an
assistant
director
each day before
the
shoot
to
tell
each
member
of
each
department
what
call
time
is
and
what
they
should
be
planning
to
do
for
the
day.
Figure
2.5 The
Call
Sheet
•
The
Set
Up
The
grip
and
electric
departments
work
to
set
up
the
lighting
for
the
shot. The
camera
department
will
set
up
the
camera
and
any
rigging
involved
for
a
moment.
Meanwhile,
the
makeup-and
costumes
department
will
get
an
actor/actress
into
the
right
look
for
the
given
scene.
Figure
2.6 The
Set
Up
•
Shooting
Development,
pre-production,
prep
work
on
the
day.
It's
all
led
up
to
this. Here’s
a
quick
run
through
of
the
steps
typically
required
when
filming:
1. The
Assistant
Director
announces
“Picture
is
up.”
2. AD
calls
for
quiet,
then
says
“roll
sound,”
prompting
the
sound
mixer
press
record.
Once
recording,
the
mixer
will
respond,
“Sound
speeds.”
3. The
clapper
loader
(2nd
assistant
camera)
slates,
reading
the
scene
information
off
the
clapperboard
and
marking.
4.
The
director
says
action.
5.
When
the
scene
is
over,
the
director
says
cut.
Once
the
whole
project
is
in
the
can,
it
is
time
to
get
the
movie
seen.
•
Post-production
This
stage
refers
to
all
the
work
that
is
done
after
the
footage
is
captured
to
finish
the
film.
Here
is
a
breakdown
of
the
post
process:
•
Picture
Editing
Picture
editing
refers
to
cutting
together
the
footage
to
create
a
coherent
film.
•
Sound
Editing
Getting
the
right
sounds
in
the
right
place
at
the
right
levels
is
an
entire
art
form.
•
Additional
Visual
What
is
captured
on
set
is
often
by
no
means
the
final
image.
There
is
a
lot
of additional
treatment
into
many
shots,
including
various
types
of
VFX,
computer
generated
images
(CGI),
and
coloring
by
a
colorist.
Once
all
this
work
is
done,
it
is
time
for
the
next
stage.
•
Distribution
(Marketing)
What
good
is
all
of
the
labor
have
outlined
so
far
if
no
one
sees
the
movie,
this
is
where
distribution
comes
in.
•
Marketing
Getting
people
to
see
the
movie
and
inform
them
exists.
•
Securing
Distribution
It
is
about
who
knows
and
is
able
to
sell
vision. The
major
studios
usually
have
an
in-house
distribution
company,
while
indie
studios
will
typically
shop
projects
around
multiple
firms.
Production
Crew
•
Producer
The
group
leader
is
responsible
for
managing
the
production
from
start
to
finish.
The
producer
develops
the
project
from
the
initial
idea,
makes
sure
the
script
is
finalized,
arranges
the
financing
and
manages
the
production
team
that
makes
the
film,
and
coordinates
the
filmmaking
process
to
ensure
that
everyone
involved
in
the
project
is
working
on
schedule
and
on
budget.
•
Director
The
director
is
primarily
responsible
for
overseeing
the
shooting
and
assembly
of
a
film.
While
the
director
needs
the
help
of
numerous
other
artists
and
technicians.
•
Screenwriter
While
the
dialogue
in
a
film
may
seem
natural
to
the
viewer,
a
writer
carefully
crafts
it.
•
Production
Designer
The
production
designer
is
to
translate
the
script
into
visual
form
and
creates
a
series
of
storyboards
that
serve
as
the
film's
first
draft,
the
director's
visual
guide
throughout
the
production
and
template
to
follow
during
the
editing
process.
•
Art
Director
The
art
director
is
responsible
for
the
film's
setting,
the
buildings,
landscapes,
and
interiors
that
provide
the
physical
context
for
the
characters
and
for
acquiring
props,
decorating
sets
and
making
the
set
believable.
•
Costume
Designer
Costumes
convey
a
great
deal
about
the
film's
period
and
the
characters
who
wear
them
(economic
status,
occupation,
and
attitude
toward
themselves.
•
Cinematographer
The
director
of
photography
(DP)
is
responsible
for
capturing
the
script
of
film
or
video
and
pay
attention
to
lighting
and
the
camera's
technical
capabilities.
•
Editor
Shortly
after
shooting
begins,
the
editor
begins
to
organize
the
footage
and
arranges
individual
shots
into
one
continuous
sequence.
•
Actors
Responsible
for
portraying
the
characters
in
a
film,
actors
work
closely
with
the
director
and
cinematographer.
Considering
an
actor's
role
within
this
larger
context
suggests
that
his
or
her
job
is
much
more
difficult
than
just
appearing
on
the
set
and
reciting
lines.
•
Music
Supervisor
Music
has
been
an
integral
part
of
movies
since
cinema's
earliest
days
in
the
1890s.
A
piano
or
organ
player
accompanied
even
the
simplest
silent
films.
The
silent
movie
palaces
of
the
1920s
accompanied
with
elaborate
organs
and
orchestra
pits
to
accomodate
large
groups
of
live
musicians.
Currently,
selecting
the
right
music
for
the
film
intensify
the
story
for
the
audience.
Lecture
5
(Week
5)
: Mise
en
Scène
Mise
en Scène
Mise
en
scène
refers
to
the
visuals
of
a
film
and
everything
that
has
to
happen
to
make
the
finished
image
look
the
way
it
looks,
and
helps
content
feel
the
way
needed.
Translated
from
French,
it
means
"setting
the
stage,"
Mise
en
scène
in
film
is
the
overall
effect
of
how
it
all
comes
together
for
the
audience.
Mise
en Scène
Elements
Include:
•
Sets
•
Props
•
Lighting
•
Costumes
•
Actor
blocking
•
Shot
composition
1.
How
Location
Affects
Scene
Location
says
a
lot
about
characters,
intentions,
obstacles,
and
themes.
2.
Pick
the
Right
Color
Color
in
film
is
a
massive
element
of
Mise
en
scène
that
permeates
every
other
visual
element
and
creates
mood
or
effect.
3.
Set
Establishes
the
World
Since
the
earliest
days
of
motion
pictures,
setting
the
stage
has
been
crucial
for
creating
worlds.
Figure
2.7 Set
Establishes
the
World
4.
Props
Importance
The
use
of
props
as
a
component
of
mise
en
scène
is
often
lumped
in
with
sets
or
wardrobes.
This
makes
sense
on
a
certain
level,
but
props
deserve
separate
consideration.
Figure
2.8 A
Prop
5.
Costumes
Make
the
Difference
The
costume,
or
wardrobe,
is
another
key
part
of
the
filmmaking
arsenal
when
composing
mise
en
scène.
6.
Hair
&
Makeup
Costumes
extend
and
bind
all
the
elements
of
mise
en
scène.
By
magnifying
and
externalizing
character
traits,
hair
and
makeup
contribute
to
the
elements
of
film
in
even
the
most
complex
worlds.
Hair
and
makeup-can
revitalize
familiar
characters,
dispel
preconceived
notions,
and
make
them
relevant.
Figure
2.9 Hair
&
Makeup
7.
Lighting
Sets
the
Tone
Film
techniques
seen
and
unseen
contribute
to
your
mise
en
scène.
Lighting
techniques
exemplify
this
“seen
and
unseen”
quality.
Lighting
is
one
of
the
key
elements
of
film.
It’s
the
pièce
de
resistance
in
completing
your
mise
en
scène.
Figure
2.10 Lighting
8.
The
Medium
(Film
vs
Video)
Film
is
the
material
that
records
moving
images.
Different
kinds
of
film
and
processing
techniques
lead
to
different
kinds
of
mise
en
scene.
And
between
film,
chemicals,
digital,
software,
apps,
and
other
tools,
the
possibilities
are
vast.
Once
upon
a
time,
filmmakers
had
a
small
selection
of
black
and
white
films
available.
Today,
the
choices
are
abundant,
beginning
with
size:
8mm,
16mm,
Super
16mm,
35mm,
65mm
and
so
on.
9.
Picking
the
Camera
The
choice
of
camera
is
an
essential
element
of
mise
en
scène.
It
can
paint
as
distinct
and
unique
a
picture
as
any
other
element.
The
heart
of
filmmaking
is
manipulating
and
capturing
light
to
produce
a
picture.
What
is
used
to
capture
that
light,
simple
or
advanced,
has
an
effect.
Figure
2.11 Picking
the
Camera
10.
Camera
Placement
The
placement
of
the
camera
is
just
as
important
as
what
kind
of
camera
is
used.
Whether
at
a
high
angle
above
the
subject
or
a
hundred
feet
away,
where
the
camera
is
and
what
it
captures
should
be
determined
before
arrive
on
set.
11.
Speeding
Up
or
Slowing
Down
FIlm
As
a
filmmaker,
shape
and
bend
created
the
world
like
a
wizard.
Time
can
stand
still,
it
can
move
at
a
fraction
of
normal
speed
or
be
sped
up
into
a
blur.
This
all
comes
down
to
frame
rate.
12.
Comprehending
Composition
Composition
is
an
element
of
mise
en
scène
that
has
infinite
possibilities.
There
are
rules
of
composition
that
many
images
can
be
obeyed
or
broken
depending
on
intent
for
the
shot.
Frame
shot
is
massively
important
in
bringing
all
of
these
mise
en
scene
elements
together.
Characters
and
action
should
suggest
the
layout
of
the
image.
Good
composition
guides
a
viewer’s
eye
and
leads
a
viewer’s
focus
within
the
frame.
The rule
of
third
is
one
way
filmmakers
can
imbue
their
frame
and
scene
with
the
focus
desire.
13.
Form
&
Frame
Every
beautiful
picture
deserves
a
spectacular
form
and
a
well-thought-out
frame.
The
form
is
the
twin
of
composition.
It’s
not
who,
what,
where,
or
when.
Form
is
the
how.
How
is
your
mise
en
scene
communicated?
Animation?
Puppets?
Stop
motion?
Live
action?
A
combination?
How
are
the
elements
woven
together
in
a
symbiotic
relationship?
Figure
2.12 Form
&
Frame
14.
Depth
of
FIeld
Depth
of
field
is
one
of
the
subtler
elements
of
film,
but
a
measurable
one.
Using
the
camera
is
another
tool
to
achieve
the
same
effect,
often
in
combination
with
other
elements
such
as
color
or
lighting.
15.
Sound
Design
Sound
design
is
one
of
the
elements
of
film
that
often
gets
ignored
by
amateur
filmmakers.
Effective
use
of
audio
is
the
easiest
way
to
strengthen
a
lackluster
scene.
Whether
any
sound,
music,
and
sound
effects,
it
is
critical
to
think
of
what
is
heard
as
essential
to
mise
en
scène
elements.
16.
Music
Music
becomes
a
character
in
the
film
itself.
The
rhythm,
tempo,
and
texture
of
mise
en
scène
are
tied
to
the
music.
Music
can
be
effective
in
painting
a
full
picture.
It
is
a
way
for
the
filmmaker
to
communicate
to
the
audience.
17.
Know
the
Talent
The
actors
are
one
of
the
most
essential
mise
en
scène
elements.
Many
directors
feel
that
if
the
cast
is
correct,
that
is
to
say
appropriately
for
the
characters,
story,
and
overall
vision,
then
half
the
battle
is
already
won.
Actors’
strengths
and
weaknesses
can
be
exploited
when
focusing
on
the
center
of
a
scene.
18.
Blocking
Actors
The
camera
placement
and
movement
of
talent
are
essential.
Where
an
actor
is
arranged,
and
if,
when,
and
how
an
actor
moves
in
the
scene,
all
highlight
the
reason
for
the
scene
itself.
19.
Action
In
the
Background
The
main
action
in
any
given
moment
is
what
mise
en
scène
comes
down
to.
What’s
the
conflict,
the
desire,
the
intention?
How
does
it
unfold?
Background
and
secondary
action
can
also
be
memorable
and
valuable
as
part
of
mise
en
scène.
20.
Post-Production
The
final
step
to
completing
mise
en
scène
with
Computer
Generated
Imagery
(CGI). The
script
breakdown
phase
is
also
where
you
will
want
to
determine
what
you
will
aim
to
accomplish
during
the
post-production
step.
The
ability
of
filmmakers
in
CGI
can
create
a
variety
of
elements
such
as
the
magical
universe,
mythic
universe,
etc.
Lecture
6
(Week
6)
:
Color
Theory
What
Is
Color
Theory?
•
A
scientific
principle
that
explains
how
color
hues
and
saturations
are
created
•
A
creative
discipline
that
examines
how
color
is
used
to
achieve
emotional
effect
in
visual
art
Types
of
Color
Theory:
•
Color
Wheel
Color
wheels
have
been
used
for
hundreds
of
years
to
express
ranges
of
color.
Newton
crucially
argued
that
colors
were
divided
into
two
(2)
categories:
1.
The
original
colors
are
red,
orange,
yellow,
green,
blue,
indigo,
and
violet
(ROYGBIV).
2.
Compounded
colors
are
compounding
original
colors
(blue
and
green
compounded
in
equal
measure
make
teal).
•
Color
Context
•
Color
Harmony
Color
Schemes
Color
theorists
developed
tools
for
artists
known
as
color
schemes
or
patterns
of
color.
1.
Monochrome
Varying
tones
of
one
color
(usually
gray).
2.
Analogous
Colors
next
to
each
other
on
the
color
wheel.
3.
Complementary
Colors
opposite
each
other
on
the
color
wheel.
4.
Triadic
Colors
that
form
an
equilateral
triangle
on
the
color
wheel.
5.
Tetradic
Colors
that
form
a
rectangle
on
the
color
wheel.
Figure
2.13 Color
Schemes
Color
Grading
vs.
Color
Correction
Color
correcting
The
process
of
correcting
(or
fixing)
colors
in
a
video
or
a
film
as
a
way
to
get
them
back
to
what
they
should
look
like
for
the
project.
Color
correction
is
usually
done
first
because
raw
footage
tends
to
be
oversaturated
and
the
colors
need
to
be
balanced
out.
How
to
color
correct
in
5
steps:
1.
Normalize
the
footage
as
much
as
possible
2.
Fix
the
saturation
first
3.
Then
fix
the
brightness
and
contrast
4.
Set
the
new
white
balance
5.
Double
check
the
skin
tones
Color
saturation
vs.
color
brightness
In
an
ideal
video
setting,
footage
will
be
shot
as
flat
and
undersaturated
as
possible.
If
footage
is
oversaturated
or
too
bright
or
dark,
valuable
information
could
be
lost,
which
can
make
the
footage
unusable.
It’s
the
goal
of
the
video
editor
(or
ideally
a
colorist)
to
correct
any
of
these
imbalances
as
a
way
to
make
sure
that
there
is
enough
leeway
to
make
color
grading
decisions
later
in
the
process.
Color
grading
The
process
of
grading
(or
editing)
colors
in
a
video
or
film
as
a
way
to
give
them
a
stylistic
look.
Color
grading
is
the
next
step
to
create
the
aesthetic
of
videos.
The
right
color
grading
will
always
help
convey
a
visual
tone
or
mood
to
heighten
the
narrative.
What
are
LUTs
in
color
grading?
A
LUT
stands
for
“look-up
table,”
many
of
these
grading
looks
are
achieved
and
is
basically
a
quick
cheat-sheet
which
filmmakers
can
use
in
camera
and
editors
can
use
in
editing
to
give
the
footage
specific
grade
and
look.
How
to
color
grading
in
5
steps:
1.
Normalize
the
folate
as
much
as
possible
2.
Follow
the
steps
to
correct
the
colors
3.
Choose
the
desired
look
and
style
4.
Make
the
color
adjustments
in
editing
program
of
choice
5.
Double
check
skin
tones
and
vectorscope
What
tools
can
be
used
for
color
grading
or
color
correcting?
•
Adobe
Premiere
Pro
•
Final
Cut
Pro
•
Blackmagic
DaVinci
Resolve
•
Magic
Bullet
Colorista
•
Fylm.ai
3. Editing Exercise: Lalin Movie
For the first exercise in this project, we watched the
Lalin Advertisement video and needed to do editing a Lalin
video remake by our seniors.
1. Download all the footage and import all the clips into Adobe
Premiere Pro. Then, I used a ripple tool to trim them to 35
seconds because of the submission requirements.
Note: "I" to cut
the beginning and "O" to cut the ending.
2. Some clips I decreased the sound because it was too noisy
and applied default transitions to make a disappear effect with
cross dissolve in between clips.
3. Add some pop up chat message and apply default transition to
make a disappear effect at every end of the chat message.
4. Add audio of the notification (using the "android" and
"iPhone" notification sound) to support the chat messages pop
up.
Figure 3.1 Editing Exercise : Lalin Movie (Process)
Figure 3.2 Editing Exercise 1: Lalin Movie
4. Production Shoot
Pre-production
For this video production project, we will be making a film and each person has their own respective role. I was an assistant director to create the shooting schedule and helped arrange the plot to make a good story while also supporting actor (side character). Luckily, the storyboard has already been provided by Mr. Martin.
Producer : Khansa
Director : Dafina Raya
Assist. D. 1 : Jenny
Assist. D. 2 : Justin
D.O.P : Jenny
Assist. Camera : Hu Yao Ping
Lighting Crew 1 : Rachel
Lighting Crew 2 : Fang
Art Director : Wing
Location Sound : Lee Jong Yun
Boom Operator : Li Li Zhen
Main Actors : Gabriella
: Emily
Extra (Actor) : Justin
Figure 4.1 Storyboard
Shooting Day
On that day, we all played our respective role and the shooting went smoothly. Unexpectedly, that's a new experience for me as a supporting actor (security guard).
Figure 4.2 Shooting Day
Pre-production
After the shooting, we need to edit the video individually to create a movie trailer.
1. Download all the footage and import all the clips into Adobe Premiere Pro. Then, I used a ripple tool to trim the part that doesn't need it.
Note: "I" to cut the beginning and "O" to cut the ending.
2. Some clips I removed the sound because it didn't need it and applied default transitions to make a disappear effect with cross dissolve in between clips.
3. Add music that fits the movie trailer, subtitles when the character speaking and ending credits scene (so appreciated that people who were during the shooting day).
.png)
Figure 4.3 Production Shoot (Process)
Figure 4.4 Production Shoot
Colour grade the production shoot with the combination of the following:
• Teal & Orange (clip 2)
• Bluish (cold) (clip 3)
• Greenish (cold) (clip 4)
• Brownish (warm) (clip 6 & 7)
• Desaturation, 50%-70% (clip 1)
• B & W, High Contrast (clip 5)
5.
Feedback
No feedback are given in this project.
6.
Reflection
This is what a video and sound production course should be like. I really enjoyed filming and being an actor (side character) with my friends and classmates. We truly felt like real producers working on this project with all the production equipment provided.
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